An Analysis of Board Breaking:
                   Which side of the board should I hold towards the board breaker?
                                                        by Jon Friedl
                                                            7/14/99

At the 1999 Leadership Seminar hosted by Voorhees Taekwon-do, Inc., I was asked to write up an
analysis of the physics of board breaking by Master Larry Voorhees and  Master Jennifer Emery.
Specifically, the question was,board holdera board, which side of the board is it better to strike
due to the alignment of the grain in the wood?” It has been assumed that the board does not
contain “knots”.
There are two basic wood grain alignments of a board used for board breaks. The following figures
are edge-on views of boards with the grain lines shown. Figure 1
represents a board cut from the center of a tree, where the grains are such that one face is the
mirror image of the other. The amount of force needed to break the board by striking the top face
would be the same amount of force needed to break it by striking the bottom face.

Figure 1






The second kind of wood grain alignment is shown in Figure 2. This board has been cut slightly
off-center from the center of a tree. The top edge is closer to the center of the tree than the bottom
edge. Once we accept that either side of the board in Figure 1 can be broken with the same amount
of force, then intuition tells us that the board shown in Figure 2 requires more force on one side of
the board than the other to break it. The question is, which side of the board do we strike if we
want to use the least amount of force needed to break it?

Figure 2






The answer is as follows: Striking the top face of the board as it is shown Figure 2 will cause the
board to break more readily than striking the bottom face of the board. But, why? Of course, the
pattern of the wood grain on the upper face is different from the pattern on the bottom face of the
board. Since this is the only difference between the two faces, this must somehow explain the
difference in the force needed to break the board depending on the side struck. Imagine a board
with a grain alignment like that shown in Figure 2. It is being held on the edges by a board holder.
On the other side of the board, someone is just beginning to strike it. Analytically, what is
happening? There are three forces acting on the board. Two of the forces are from the board
holder pushing back against the board along the edges (one force for each arm) and one is from
the board breaker who is pushing against the
board in, hopefully, the center. What happens to the board, before it breaks, as a result of these
forces? Before it breaks (if it breaks), the board bends.
The curve of the upper and lower faces of the board caused by bending leads to an interesting
effect. Imagine bending something more flexible than a wooden board, such as a thick sheet of
plastic or a large sheet of plywood. What happens on the inner surface of the flexible material as it
is bent? What happens on the outer surface of the flexible surface when it is bent? The inner
curved surface develops wrinkles. The outer curved surface stretches. Once the outer surface is
allowed the relax, it may have been stretched so much that it now has wrinkles in it.
In the case of the board, the grains on the side being strike are compressed or, in other words,
being squeezed together. The grains on the other side, the side with the board holder, are under
tension or, in other words, being pulled apart.
Now, we do this to a board with a grain alignment as shown in Figure 2. Take the grains on the top
face as being squeezed together while the grains on the lower face are being pulled apart (i.e.,
board breaker above and board holder below). When we do this, the grains themselves bend as
the wood is being bent. If fact, the grains appear to become straighter. The grain alignment shown
in Figure 2 becomes more like the grain alignment shown in Figure 1 when the top edge is struck in
the center by a board breaker while the bottom edge is being held at the edges by a board holder.
As a result, a broad with a grain alignment as shown in Figure 2 becomes easier to break the more
that it bends. (This is, in fact, a good argument for follow-through when breaking.) If a board
breaker attempts to break a board with a grain alignment as shown in Figure 2 from the bottom
side while a board holder is holding the board from the top side, then the grains become less like
those in Figure 1. Visually, the grains become more horizontal rather than more vertical. In this
configuration, the more the board bends, the more difficult it is to break. Imagine trying to break a
board where the plane of the grains run parallel to the faces of the board. This configuration
corresponds, of course, to the hardest kind of board to break in terms of grain alignment.
Breaking Techniques
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The ability to break materials such as wood and stone, plays a very important part in developing
the complete martial artist. No matter what kind of martial arts the individual may choose as his
or her discipline, some form of applied breaking is a requirement. Breaking employs “TOTAL
MENTAL CONTROL” with attention to the internal chi energy, courage, commitment, technique
and concentration. A person needs the courage to strike something harder than your own
body; the commitment to follow through with your decision, using the proper technique
correctly and the concentration to focus all energy into a couple square inches.
BREAKING MEDIA
BREAKING!.........BREAKING!!......AND MORE BREAKING??
Kyukpa, board breaking was integral to training in a traditional martial
art because pads were not worn and contact was not made for the
safety of the students. Traditional MuDo (martial ways, BuDo in
Japanese and WuTao in Chinese) were focused upon fighting for your
life with and against weapons. At that time in history, an artist had to
train daily, realistically and yet could never strike a training partner.
[This was before bamboo weapons and hogu (chest protectors) were
developed]. A practice sword was a four foot piece of oak or birch. If
someone's arm were hit, even accidentally, it was broken. The strike
needed to be made at full speed and full power and yet could not
make contact.
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